銅鑼灣歌頓道與永興街交界

我倆在天后四處走走看時，看到相中的光境，其中一張可以看到業住在牆上寫著「向政府訴心聲」,是這麼溫文這麼小的聲音，當中有指責稱屋宇署高級屋宇測量師黃佩儀的行政失誤，網上除了如以下的報導外，並沒有其他的交代。

搬至大坑時，他們還在的，可恨地沒有看見原本的模樣。「新舊樓夾雜，一條接一條的後巷，是一排用鋅鐵搭建、殘破簡陋的寮屋。」唯有從其他人的文字裡想像。不知他們現在怎樣了，有被妥善安置嗎？

http://paper.wenweipo.com/2007/11/30/HK0711300048.htm
http://www.mingpaoweekly.com/htm/2040/bb01_4.htm

包起個場

今天姐姐跟我提起小馬（Rayan）的生日，問我會送什麼，要求我買益智的東西，並說有一個月時間讓我想。
平日帶小馬去遊樂場，見佢同好多細路一樣，都想霸晒成個場。好啦，咁我就包起個遊樂場送比小馬啦。

攝於屯門。

理想國

桃花源、伊甸園或是香格里拉？

我定會選擇桃花源 ﹣﹣﹣ 那裡沒有高高在上的神／明賢，沒有建制及規條。

Roy Emerson Stryker

An approach, not a  technique; an affirmation, not a negation. The documentary attitude is not a denial of the elements which must remain an essential criterion in any work. It merely gives these elements limitation and direction. Thus composition becomes emphasis, and line sharpness, focus, filtering, mood — all those components included in the dreamy vagueness “quality" — are made to serve an end; to speak, as eloquently as possible, of the thing to be said in the language of pictures. The question is not what to picture nor what camera to use. Every phase of our time and our surrounding has vital significance and any camera in good repair is an adequate instrument. The job is to know enough about the subject matter, to find its significance in itself and in relation to its surroundings, its time, and its function.